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The film centers around the sexual transformations the pair underwent for their . She studied literature in France “while skipping out of classes a lot to go see films . So when she received a grant to write a Ph. D, she took the money to do “research” in New York but instead used it to stay in the city and make art. I discovered the experimental world of theater, cinema and music and it was the beginning of a big adventure for me! I became his close friend, eating ice cream in return and performing in his films, and that is when he showed me how to use the Bolex a boyfriend had just given me. I made my first film on Mike Kuchar, .
The Ballad of Genesis and Lady Jaye (2011). The Ballad of Genesis and Lady Jaye documents a truly new brand of Romantic consciousness, conveying beauty, dignity, and devotion from a perspective never before seen on film. Buy The Ballad of Genesis and Lady Jaye on Amazon.com FREE SHIPPING on qualified orders. Special Features Interviews (with Lady Jaye, Orlan.
I had just seen Genesis perform with her band Thee Majesty at the Knitting Factory, along with Alan Vega, who gave a memorably awful performance by fondling his balls and grunting sex to an ’8. Genesis, on the other hand, was pure enlightenment to me. Chanting half- sung, half- spoken lyrics of deep poetic meaning in a primal – at times scary – voice, she somehow maintained an aura of delicacy and softness, as her giant breasts floated, half naked above the crowd. I was completely hypnotized by her, never having seen anything like her, and I knew then that I had to find a way to meet her and film her. I was at a gallery opening in Soho, one of those sardine- can spaces where you can barely walk and breathe.
I got pressed into a corner and stepped on someone’s toes. I turned to apologize and there she was, talking with Bjork and smiling, her golden teeth glittering in my eyes. We spoke only briefly, but something special passed between us and she gave me her email and asked me about my films. So I guess you can say that fate – or clumsiness – stepped in and opened a very special door of friendship and filmmaking. She’d invite me to her concerts, and one day I found myself in her house, sitting on a giant plastic green garden chair in the shape of a hand. There appeared Lady Jaye, his/her wife, strikingly beautiful with a strong posture and a directness that was so inviting and intimidating. After a short talk about my work, Jaye pointed to me and said to Genesis, “She is the one.” I had no idea what it meant, but she explained they had been looking for the right person to film their life and love and I was the one.
So I didn’t question it and let life take me on the next adventure and a few weeks later I was on tour with the band! It was the beginning of seven years of filming and a very beautiful and deep friendship that continues today as the film is finished. What made you decide to get into documentary filmmaking after a career working in more experimental veins? It enables me to film in a genuine, fresh manner with no preconceived ideas and concept and it allows me to be totally free. What was one of the most challenging aspects of making this film? I had to be very disciplined, stubborn and find faith while the love was intense and Jaye died, and I had no idea where the film was going?